SEMA

SEMA keeps itself up to date. It looks for a new version when it opens and every four hours after, fetches it in the background, and you have it the next time you quit and open SEMA. File ▸ Restart to Update puts it in now.

It takes only a version signed by Dokkodo, and turns away anything else. SEMA is now signed and checked by Apple, so a Mac opens it without a warning.

This page: what has changed in SEMA, version by version. It is in the menu under your name, What's new.

Dark mode is softer: muted greys in place of near-black. Light mode is unchanged.

Import reads a Reaper project. SEMA finds this song's clip in it by its audio, even when the project holds two songs, and brings its markers in at the right times: the marker lane to Structure, Hit 1 to Hit 10 to accents 1 to 10.

If the project used an older mix of the song, SEMA says so, so you can check the times. Reaper's tempo is shown, never used.

Keys is now Shortcuts.

A pressed key keeps its words when the mouse is over it.

Tempo and Shortcuts open from the bottom of the markup panel, sitting on their keys, and stay there while the lists above scroll.

In a setlist, Space plays and pauses the set.

Back, Play and Skip are icons.

The open song no longer counts down to its next cue.

In markup, Tempo and Keys sit behind two keys at the foot of the panel, one open at a time.

What SEMA sends to MA is named after each song's executor page in MA, matched by the song's title or picked by hand. Anything SEMA sent before under an old name is renamed, not doubled.

Export and MA3 are icon keys beside a setlist, no words.

Someone added in IVVI can sign into SEMA straight away: their first sign-in finds them by email, and they land on the tour they were put on.